AI Music
Right now, artificial intelligence in the field of music is in its infancy, but one day soon, I’m sure, it will catch up. When it reaches the capability to compose … Continue reading
New Music for Cello Solo
The first draft of the new cello piece went out to D. Scot Williams who commissioned it. Seven and a half minutes of music exploring all registers of the instrument, … Continue reading
Groundless – New Album
When two of your babies share the same birthday, tensions and compromises are to be expected. My album Glossolalia has already received much love in the past weeks but Groundless … Continue reading
Hello There, Music
No one knows I have begun working on the cello solo piece, not even Scot Williams who commissioned it. Earlier this week I casually began drafting the shape of the … Continue reading
On the Rooftop of the Kennedy Center
It was never my dream to have my music performed at the Kennedy Center. I simply did not believe in dreaming outrageous, impossible dreams. Yet the improbable happened, all the … Continue reading
Glossolalia Anniversary
In February of 2014, I booked a recording studio and traveled to cold and overcast Poland to collaborate on a recording with NeoQuartet from Gdańsk. I didn’t have to do … Continue reading
New Music for Cello
I am thrilled to be commissioned by D. Scot Williams to compose a new work for cello. Not a stranger to contemporary music, Scot has previously commissioned several other composers, … Continue reading
Earthrise – English Horn Solo Excerpt
Before I share with you my new orchestral piece, let me tease you with a short excerpt of the English horn solo. I have never written for this instrument before … Continue reading
The Brass Section
The new orchestral piece is basically finished but some final polishes are still needed. Today I worked on the brass section, and in particular, its articulations and phrasing. I realized … Continue reading
Synesthesia
When I talk about color in music (besides being a composer, I am also a painter), I am often asked whether I have synesthesia. I do not, and I am … Continue reading
Fragility
A year ago, during great personal distress, I composed Fragility. Now I am haunted by the same feelings as are so many of my family and friends. One might have … Continue reading
New Orchestral Music
I am nearly finished writing my latest orchestral piece. It has taken me to colorful harmonic places I have not encountered before. Principal English horn players will find a blissful … Continue reading
Upcoming NYC Ballet Performances
Friends, I am overjoyed and deeply honored that New York City Ballet will perform two of my orchestral pieces; “Unveiling” and “Is Now Not Enough?” to the choreography of Sidra … Continue reading
The Guiding Light
Producing an album often seems like driving a car from the back seat. Theoretically, if you know where you want to go and are able to communicate clearly, and if … Continue reading
Fragility Official Music Video
Fragility official music video is out on YouTube. Fragility is the opening track of my latest album entitled Groundless. The video concept and editing are mine but the amazing videography … Continue reading
Groundless
https://dosiamckay.com/music/groundless/ I have made ambitious plans for international travel in 2020. I was considering Japan or Korea but a friend strongly suggested China. I had already purchased the plane tickets … Continue reading
Watercolors – New Music for Symphony Orchestra
I have been programmed with Tchaikovsky before, most likely because of my Slavic ancestry. But when I discovered that Aram Demirjian, the artistic director of the Knoxville Symphony Orchestra, programed … Continue reading
Unveiling – Free Perusal Score
Conductors, instrumentalists, composers, and non-musical friends, I am making “Unveiling” for string orchestra available as a free perusal score download. See what a musical blueprint looks like. https://dosiamckay.com/music-scores/unveiling/
Things I Wish I Knew
On the occasion of the release of the 3rd Endless Immersion album, I am reminded of the video I created for the first one. My hair might be different now … Continue reading
Waiting for the Titles
I spent the last few days editing tracks for my upcoming album. One darling was killed in the process and the rest had to justify to me why I should … Continue reading
I Need Spotify Help
Please, for the love of God, can some kind person add my music to several Spotify playlists? My algorithm is completely off. I am currently pegged as a Renaissance composer, … Continue reading
Endless Immersion 3 is Here
iTunes | Amazon | Bandcamp | Spotify https://dosiamckay.com/music/endless-immersion-3/ The next installment of the Endless Immersion series and another full hour of seamless, immersive musical experience is here. As always, I have a difficult time categorizing my music. This … Continue reading
Audiophile’s Musings
It is true that it takes a long time for the performer to bring a composition to its fullest potential. The notes and the phrases remain the same, but with … Continue reading
Endless Immersion 3
Before I release my brand-new album, I will first release the 3rd installment of Endless Immersion. Originally conceived in 2015, Endless Immersion was a soundtrack to an art installation in … Continue reading
Composer Desk
I am reinventing the wheel again, that is, I am reexamining the ergonomics of my music studio setup. The three main elements always are the MIDI keyboard, the computer keyboard, … Continue reading
At Peace
The score has been spiralbound and the parts have been taped according to the Major Orchestra Librarians’ Association’s guidelines. All that remains is to send the materials to the Knoxville … Continue reading
Dark Sister, Sing from Rubble Becomes Art
Here is the recording of the premiere of Dark Sister Sing from Rubble Becomes Art, a triptych of art songs commissioned by Kate Steinbeck and Pan Harmonia. This performance took place … Continue reading
“Watercolors” for Orchestra to be Premiered by the Knoxville Symphony
I am delighted to share that my “Watercolors” for Orchestra will be premiered by the Knoxville Symphony on the Masterworks Series concert in October. Although I was not born in … Continue reading
From Faint Inklings to Tangible Embodiments
Once upon a time, Kate Steinbeck had a faint inkling about commissioning new music for her ensemble. We had talked about it many months in advance, before she really knew … Continue reading
Rubble Becomes Art – Score Editing
The final and crucial step of self-editing. Yes, I could catch the same mistakes on the computer screen, but there is something tangible and more immediate about editing on paper. … Continue reading
New Music for Pierrot Ensemble and Percussion
I had a lot of fun creating this graphic animation/representation for my new piece. “Abandon” captures a fleeting moment of forsaking self-imposed restraints in favor of complete freedom and joyful, … Continue reading
Rubble Becomes Art
I have spent the last four months composing a triptych of songs commissioned by Kate Steinbeck and Pan Harmonia, based on the poems of three North Carolina contemporary poets. Although … Continue reading
Chamber Music Commission – Art Songs
In celebration of its 20th season (2019-2020), Kate Steinbeck and Pan Harmonia have commissioned me to create an innovative work for voice, flute, bassoon and guitar for the chamber music … Continue reading
Pan Harmonia Commission
I am pleased to announce that I have received a commission from Kate Steinbeck of Pan Harmonia to compose a new work in celebration of Pan Harmonia’s 20th season. This project will be … Continue reading
Harpsichord Concerto – Work in Progress
The second movement of the harpsichord concerto is now in its final stages. Here I am checking the form for possible structural flaws. In my book, symmetry is always better … Continue reading
Harpsichord Concerto
I am presently composing a concerto in three movements for harpsichord and string orchestra (4,4,4,2,1 or larger). The total length of the music will be approximately fifteen minutes. I hope … Continue reading
New Music for Viola
I am happy to reveal my new composition for viola and piano. For now I only have a recording prepared using virtual instruments, but hope to reach out to living-breathing … Continue reading
Awakening for Viola and Piano
Ever since I have heard Rebecca Clarke’s Morpheus, my interest in writing for string instruments was piqued. I have since composed string quartets, a string trio, a piano trio, and … Continue reading
New Guitar Recording of my Music Released
I am delighted to announce that Sergio Puccini, an Argentine guitar virtuoso, has recorded my “Parting” and released it on his new album entitled “Sergio Puccini Plays Paul McCartney’s a … Continue reading
Music as Color
I don’t have synesthesia but I find that different keys (tonal centers) have distinct “flavors”. When I compose, a transposition of a musical passage may or may not make sense, … Continue reading
Women Composers in the 21st Century
Following is a list of women composers who are living (have lived) in the 21st century. This compilation focuses on composers of contemporary classical (art) and experimental music written for … Continue reading
Fidgeting in the Sacred Space
Where have you done it? So far I have done it on the kitchen counter, in the bathtub, in the basement, in the bedroom, in the bathroom, the living room, … Continue reading
Seeking an American Premiere of a String Quartet
I recently sent the score to “Glossolalia”, my string quartet, to Canada. I am happy that this piece is enjoying international travels. It has been previously performed at music festivals … Continue reading
Seven for Piano Solo
“Seven” – a newly completed piece for piano solo. A virtuosity fix of sorts. Colorful harmonies and cascading arpeggios. For virtuoso and advanced pianists. Get the score at http://dosiamckay.com/music/seven.shtml
What Is The Point Of Art Making?
What is the point of quiet and consistent art making in a world run by those who scream the loudest and who put on a gaudy circus? If I stop … Continue reading
Triptych for Cello and Piano
I am going through some of my earlier scores and came across the Triptych for cello and piano. My fascination with the music of the early 20th century is evident … Continue reading