At Peace
The score has been spiralbound and the parts have been taped according to the Major Orchestra Librarians’ Association’s guidelines. All that remains is to send the materials to the Knoxville … Continue reading
The Flow – Chapter 2
If you missed the first chapter, you can read it here: https://wp.me/p6Qr0-127 The first thing she noticed upon entering was the smell. It was the fragrance of aged wood and … Continue reading
“Watercolors” for Orchestra to be Premiered by the Knoxville Symphony
I am delighted to share that my “Watercolors” for Orchestra will be premiered by the Knoxville Symphony on the Masterworks Series concert in October. Although I was not born in … Continue reading
The Flow – Chapter 1
Numbness does not have to be destructive. Its lukewarm embrace can be nourishing, sustaining, prove wonderfully protective. When all other emotions have failed, numbness remains to offer a guiltless escape. … Continue reading
Freakish Intensity
The cover design made it more real. The novel is out with the editor and I am inching toward the release of the book. I am about to enter the … Continue reading
Back to the Novel Writing
Some of you have asked what happened to the psychological thriller I was writing last year. I had to put it aside for the last few months as I worked … Continue reading
From Faint Inklings to Tangible Embodiments
Once upon a time, Kate Steinbeck had a faint inkling about commissioning new music for her ensemble. We had talked about it many months in advance, before she really knew … Continue reading
New Music for Pierrot Ensemble and Percussion
I had a lot of fun creating this graphic animation/representation for my new piece. “Abandon” captures a fleeting moment of forsaking self-imposed restraints in favor of complete freedom and joyful, … Continue reading
Rubble Becomes Art
I have spent the last four months composing a triptych of songs commissioned by Kate Steinbeck and Pan Harmonia, based on the poems of three North Carolina contemporary poets. Although … Continue reading
A Unifying Principle
How do I express this movement musically? And when I hear gripping music, how do I paint it? These two artistic disciplines have been closely related in my creative output. … Continue reading
The Flow – A Psychological Thriller for Artists and Creatives
The Flow, my psychological thriller went out to Beta Readers today. I never thought I would write a book like this. I was only going to outline the plot, just … Continue reading
In Search of Divine Patterns
I have always believed that there is a divine order in all things. Studying calculus in college and diving deep into music theory showed me hidden treasures few people are … Continue reading
Harpsichord Concerto – Work in Progress
The second movement of the harpsichord concerto is now in its final stages. Here I am checking the form for possible structural flaws. In my book, symmetry is always better … Continue reading
Toolbox
You can accomplish anything if you have the right tools. However, the problem often lies in the fact that the right tools may be out of reach, you may have … Continue reading
Harpsichord Concerto
I am presently composing a concerto in three movements for harpsichord and string orchestra (4,4,4,2,1 or larger). The total length of the music will be approximately fifteen minutes. I hope … Continue reading
A Quiet Room with a Large Window
To be perfectly honest, following many of you ultra successful artsy people on social media has been difficult recently. Your premieres, international travel, awards, commissions, exhibits, and accolades–you are in … Continue reading
Awakening for Viola and Piano
Ever since I have heard Rebecca Clarke’s Morpheus, my interest in writing for string instruments was piqued. I have since composed string quartets, a string trio, a piano trio, and … Continue reading
New Guitar Recording of my Music Released
I am delighted to announce that Sergio Puccini, an Argentine guitar virtuoso, has recorded my “Parting” and released it on his new album entitled “Sergio Puccini Plays Paul McCartney’s a … Continue reading
Survived
For those who care or find it amusing, my cello survived the month long cross country journey without an incident. It is only slightly out of tune and very dusty. … Continue reading
Solo
I took a solo hike into the bottom of the canyon and began fantasizing about taking a full solo trip. I crave uninterrupted segments of time when I can fully … Continue reading
Cross Country Journey
I am making a cross country journey from Asheville, NC to Portland, OR. I have uprooted my family, my music studio, and my painting studio in order to start afresh … Continue reading
Goodbye
Dear Asheville, Thank you for everything! The last five years have enriched me with new friendships, scenic natural surroundings, and much inspiration for music composition and art making. I am … Continue reading
A Musical Riddle
I came across this chart today while sifting through some old scores. It was tucked away in “Lush”, a piece I composed for soprano saxophone, and jazz chamber orchestra. I … Continue reading
Treasured Possessions
Some of the most thoughtful gifts I have received over the years have been music scores by other composers. I have many officially released works, as well as a few … Continue reading
A Patch of Blue – Analysis of the Music Score by Jerry Goldsmith
The following is a scholarly paper I wrote during my graduate studies at the New York University in the Fall of 2009, a requirement for professor Ronald H. Sadoff’s class … Continue reading
End of the Chapter
I will be sad to leave my studio at the end of the year. I spent 4 years in this space composing music, painting, writing, playing instruments, and singing. Creative … Continue reading
Limitation as Freedom
I am discussing the concept of limitation in the context of artistic freedom. When I am faced with the whiteness of my creative page, I like to set limiting parameters … Continue reading
The Value of Art
“The Art of Forgery”, an article written by Simon Bonneau which appeared in Sungrammata, touches on several important ideas, one of which is the fact that people don’t buy the art. They … Continue reading
Music as Color
I don’t have synesthesia but I find that different keys (tonal centers) have distinct “flavors”. When I compose, a transposition of a musical passage may or may not make sense, … Continue reading
Watercolors for Symphony Orchestra
When I take a break from music, I turn to painting. My favorite media are watercolors, acrylics, and ink. When the paint is introduced to a wet canvas, it takes … Continue reading
“Mathis der Maler”, Symphony by Paul Hindemith – Analysis
The following is a scholarly paper I wrote during my graduate studies at the New York University in the Fall of 2010, a requirement for professor Justin Dello Joio’s class … Continue reading
Women Composers in the 21st Century
Following is a list of women composers who are living (have lived) in the 21st century. This compilation focuses on composers of contemporary classical (art) and experimental music written for … Continue reading
Endless Immersion Now On Spotify
Endless Immersion is now on Spotify. 2 hours of pure, gently enveloping bliss to wash away all evil and pain from the face of the Earth. https://open.spotify.com/album/1o9kiRc1sn39JSEBTCQRWw http://www.dosiamckay.com/endlessimmersion.shtml “Endless Immersion … Continue reading
Glossolalia now on Spotify
I am excited to announce that my album “Glossolalia” is now on Spotify. I recorded the album two years ago with the fantastic string quartet from Poland – NeoQuartet and vibraphonist … Continue reading
Fidgeting in the Sacred Space
Where have you done it? So far I have done it on the kitchen counter, in the bathtub, in the basement, in the bedroom, in the bathroom, the living room, … Continue reading
Swimming in the Sea of Invisibility
I didn’t like my arts teacher in elementary school and the sentiment was reciprocated. I did not agonize over the fact as the teacher didn’t like any of her students. It … Continue reading
Seeking an American Premiere of a String Quartet
I recently sent the score to “Glossolalia”, my string quartet, to Canada. I am happy that this piece is enjoying international travels. It has been previously performed at music festivals … Continue reading
Symbiosis – An Artist’s Internal Dialogue
An artist’s internal dialogue never stops. Isn’t it enough that I have to interact with the outside world? Wouldn’t it be nice to “come home to myself” for the respite … Continue reading
Impression for Piano Solo
Look at what I have unearthed for you! I composed “Impression” in 2007 when I was studying composition at the University of Tennessee in Knoxville. At that time I was … Continue reading
What Is The Point Of Art Making?
What is the point of quiet and consistent art making in a world run by those who scream the loudest and who put on a gaudy circus? If I stop … Continue reading
“May Night” by Tadeusz Miciński
Crowned donkeys sat on the grass – crickets kiss a wild rose – and death shimmers on the pond and plays a frolicking song. Mayflies, … Continue reading
Contemplation of the Score in Slow Motion
I dragged up my 52-lb weighted Kurzweil keyboard from the basement in order to stammer through some Bach and Chopin to remind myself what compositional craft used to be about. … Continue reading
Not Knowing
I remember that day a year ago. It was before I began composing “Endless Immersion”. I only had a general idea of what I wanted to do, too vague to … Continue reading
Anemone – A New Way of Composing and Listening
Has it been three years already since Anemone was interpreted through this beautiful dance? The final track from the album “Lacrimosa” has a special place in my heart, as it … Continue reading
Unveiling – Music Painting
“Unveiling” composed for string orchestra is an exploration of layers of sound. Beginning with one solitary note, new aural strata gradually unfold in which multiple layers of counterpoint constantly shift, … Continue reading
Translating Color to Music
I feel restless again. Restless to translate these colors I have been dabbing with into music. I don’t hear the sounds yet. I just feel the need to remove myself … Continue reading
Geometry, Language, and Music – My Path to Composition – Radio Interview on “Zero Crossings”
What do geometry, language, and music have in common? The ancestral shadows, George Michael, and creative loneliness – it’s all there. I am talking about my convoluted path to composition … Continue reading
Composition Competitions – Gambling and Return on Investment
I have been sharing my successes and hopes with you, but have been concealing failures and struggles. It is not all glitter and red carpet in my profession. It is … Continue reading
