AI Music
Right now, artificial intelligence in the field of music is in its infancy, but one day soon, I’m sure, it will catch up. When it reaches the capability to compose … Continue reading
Earthrise for Symphony Orchestra
I am alarmed by humanity’s fascination with destruction. We consume hundreds of films and video games devoted to natural disasters and cataclysms. We entertain ourselves with graphic depictions of gore, … Continue reading
Synesthesia
When I talk about color in music (besides being a composer, I am also a painter), I am often asked whether I have synesthesia. I do not, and I am … Continue reading
Fragility Official Music Video
Fragility official music video is out on YouTube. Fragility is the opening track of my latest album entitled Groundless. The video concept and editing are mine but the amazing videography … Continue reading
Groundless
https://dosiamckay.com/music/groundless/ I have made ambitious plans for international travel in 2020. I was considering Japan or Korea but a friend strongly suggested China. I had already purchased the plane tickets … Continue reading
Things I Wish I Knew
On the occasion of the release of the 3rd Endless Immersion album, I am reminded of the video I created for the first one. My hair might be different now … Continue reading
Endless Immersion 3
Before I release my brand-new album, I will first release the 3rd installment of Endless Immersion. Originally conceived in 2015, Endless Immersion was a soundtrack to an art installation in … Continue reading
Composer Desk
I am reinventing the wheel again, that is, I am reexamining the ergonomics of my music studio setup. The three main elements always are the MIDI keyboard, the computer keyboard, … Continue reading
Dark Sister, Sing from Rubble Becomes Art
Here is the recording of the premiere of Dark Sister Sing from Rubble Becomes Art, a triptych of art songs commissioned by Kate Steinbeck and Pan Harmonia. This performance took place … Continue reading
The Flow – Chapter 2
If you missed the first chapter, you can read it here: https://wp.me/p6Qr0-127 The first thing she noticed upon entering was the smell. It was the fragrance of aged wood and … Continue reading
“Watercolors” for Orchestra to be Premiered by the Knoxville Symphony
I am delighted to share that my “Watercolors” for Orchestra will be premiered by the Knoxville Symphony on the Masterworks Series concert in October. Although I was not born in … Continue reading
The Flow – Chapter 1
Numbness does not have to be destructive. Its lukewarm embrace can be nourishing, sustaining, prove wonderfully protective. When all other emotions have failed, numbness remains to offer a guiltless escape. … Continue reading
Freakish Intensity
The cover design made it more real. The novel is out with the editor and I am inching toward the release of the book. I am about to enter the … Continue reading
Back to the Novel Writing
Some of you have asked what happened to the psychological thriller I was writing last year. I had to put it aside for the last few months as I worked … Continue reading
From Faint Inklings to Tangible Embodiments
Once upon a time, Kate Steinbeck had a faint inkling about commissioning new music for her ensemble. We had talked about it many months in advance, before she really knew … Continue reading
Rubble Becomes Art – Score Editing
The final and crucial step of self-editing. Yes, I could catch the same mistakes on the computer screen, but there is something tangible and more immediate about editing on paper. … Continue reading
New Music for Pierrot Ensemble and Percussion
I had a lot of fun creating this graphic animation/representation for my new piece. “Abandon” captures a fleeting moment of forsaking self-imposed restraints in favor of complete freedom and joyful, … Continue reading
Rubble Becomes Art
I have spent the last four months composing a triptych of songs commissioned by Kate Steinbeck and Pan Harmonia, based on the poems of three North Carolina contemporary poets. Although … Continue reading
Pan Harmonia Commission
I am pleased to announce that I have received a commission from Kate Steinbeck of Pan Harmonia to compose a new work in celebration of Pan Harmonia’s 20th season. This project will be … Continue reading
Composing the Harpsichord Concerto
Enjoy a composer / painter studio visit while I share the inspiration, challenges, and discoveries in writing a harpsichord concerto. https://dosiamckay.com/music-scores/harpsichord-concerto/
Harpsichord Concerto, II – Ballade
Traditionally, the second movement of a concerto is a slow one, allowing the audience to catch a breath between fast sections, but giving no rest to the soloist whose virtuosity … Continue reading
In Search of Divine Patterns
I have always believed that there is a divine order in all things. Studying calculus in college and diving deep into music theory showed me hidden treasures few people are … Continue reading
Harpsichord Concerto – Work in Progress
The second movement of the harpsichord concerto is now in its final stages. Here I am checking the form for possible structural flaws. In my book, symmetry is always better … Continue reading
Harpsichord Concerto
I am presently composing a concerto in three movements for harpsichord and string orchestra (4,4,4,2,1 or larger). The total length of the music will be approximately fifteen minutes. I hope … Continue reading
A Quiet Room with a Large Window
To be perfectly honest, following many of you ultra successful artsy people on social media has been difficult recently. Your premieres, international travel, awards, commissions, exhibits, and accolades–you are in … Continue reading
New Music for Viola
I am happy to reveal my new composition for viola and piano. For now I only have a recording prepared using virtual instruments, but hope to reach out to living-breathing … Continue reading
Awakening for Viola and Piano
Ever since I have heard Rebecca Clarke’s Morpheus, my interest in writing for string instruments was piqued. I have since composed string quartets, a string trio, a piano trio, and … Continue reading
New Guitar Recording of my Music Released
I am delighted to announce that Sergio Puccini, an Argentine guitar virtuoso, has recorded my “Parting” and released it on his new album entitled “Sergio Puccini Plays Paul McCartney’s a … Continue reading
Goodbye
Dear Asheville, Thank you for everything! The last five years have enriched me with new friendships, scenic natural surroundings, and much inspiration for music composition and art making. I am … Continue reading
Treasured Possessions
Some of the most thoughtful gifts I have received over the years have been music scores by other composers. I have many officially released works, as well as a few … Continue reading
A Patch of Blue – Analysis of the Music Score by Jerry Goldsmith
The following is a scholarly paper I wrote during my graduate studies at the New York University in the Fall of 2009, a requirement for professor Ronald H. Sadoff’s class … Continue reading
End of the Chapter
I will be sad to leave my studio at the end of the year. I spent 4 years in this space composing music, painting, writing, playing instruments, and singing. Creative … Continue reading
Limitation as Freedom
I am discussing the concept of limitation in the context of artistic freedom. When I am faced with the whiteness of my creative page, I like to set limiting parameters … Continue reading
Music as Color
I don’t have synesthesia but I find that different keys (tonal centers) have distinct “flavors”. When I compose, a transposition of a musical passage may or may not make sense, … Continue reading
Watercolors for Symphony Orchestra
When I take a break from music, I turn to painting. My favorite media are watercolors, acrylics, and ink. When the paint is introduced to a wet canvas, it takes … Continue reading
“Mathis der Maler”, Symphony by Paul Hindemith – Analysis
The following is a scholarly paper I wrote during my graduate studies at the New York University in the Fall of 2010, a requirement for professor Justin Dello Joio’s class … Continue reading
Fidgeting in the Sacred Space
Where have you done it? So far I have done it on the kitchen counter, in the bathtub, in the basement, in the bedroom, in the bathroom, the living room, … Continue reading
Seeking an American Premiere of a String Quartet
I recently sent the score to “Glossolalia”, my string quartet, to Canada. I am happy that this piece is enjoying international travels. It has been previously performed at music festivals … Continue reading
Seven for Piano Solo
“Seven” – a newly completed piece for piano solo. A virtuosity fix of sorts. Colorful harmonies and cascading arpeggios. For virtuoso and advanced pianists. Get the score at http://dosiamckay.com/music/seven.shtml
Symbiosis – An Artist’s Internal Dialogue
An artist’s internal dialogue never stops. Isn’t it enough that I have to interact with the outside world? Wouldn’t it be nice to “come home to myself” for the respite … Continue reading
Contemplation of the Score in Slow Motion
I dragged up my 52-lb weighted Kurzweil keyboard from the basement in order to stammer through some Bach and Chopin to remind myself what compositional craft used to be about. … Continue reading
Not Knowing
I remember that day a year ago. It was before I began composing “Endless Immersion”. I only had a general idea of what I wanted to do, too vague to … Continue reading
Anemone – A New Way of Composing and Listening
Has it been three years already since Anemone was interpreted through this beautiful dance? The final track from the album “Lacrimosa” has a special place in my heart, as it … Continue reading
Triptych for Cello and Piano
I am going through some of my earlier scores and came across the Triptych for cello and piano. My fascination with the music of the early 20th century is evident … Continue reading
Unveiling – Music Painting
“Unveiling” composed for string orchestra is an exploration of layers of sound. Beginning with one solitary note, new aural strata gradually unfold in which multiple layers of counterpoint constantly shift, … Continue reading