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Resuscitation

Yesterday I saw a girl
Of maybe twenty five springs
Clenched between the gutter
Of a urine stained sidewalk
And an insisting grip
Of an assertive hero
Compressing her helpless breasts
Back into the rhythm of life
Amidst a mob of matrons
Carrying sacks of blood sausages
With their mouth freely gasping the city air
Muttering to bystanders if someone called
And what happened and when and how long

I read that a guillotined head
Hears and sees for a few moments
Before it slips into darkness
That life lingers and clings and grasps

Is this why her lips contorted
And forehead wrinkled in regret
Even as her sweet honeycombed hair
Radiated in a crown of rapture
Too otherworldly for the earthiness of the pavement

How will my hour surprise me
And will it be the way
The great painters were commissioned
To portray their monarchs
In elegant stylish ecstasy
Or will I slip out cold and alone at night
Without a final word or a good excuse

Today a man shook my hand
Cradling it warmly yet firmly
Just for a second longer than necessary
Pouring his smile into my eyes
Without words
He revived my heart

©2012 Dosia McKay



I recently had the pleasure of collaborating with the string quartet of the S.E.M. Ensemble under the direction of Petr Kotik in their annual Workshop & Reading of New Works. Pauline Kim Harris, violin, Lynn Bechtold, violin, David Gold, viola, Brian Snow, cello, presented my Three Monologues for String Quartet.

Surge, Cantabile, and Expletivo portray a wide range of human emotions, from conflicting, dissonant, and aggressive, through delicate, fragile, and innocent. The harmonic language of the Monologues oscillates between Schoenbergian post-tonalism, quartal jazz sonorities, and, at times, hard rock riffs. The present live recording features the second movement – Cantabile.

Food

In the end only food matters
And those who endure your talking
With your mouth full
Kingdoms rise and fall
For the freedom of drinking
The right kind of borscht at Christmas
Dumplings can be like
Pockets of memories
Slice every one of them
And out come scrambled nothings
Or buttery satisfying silence
A glutton longs for the chastity
Of the sacrament of breaking bread
Together with friends
May our hunger never be
Fully quenched
Lest we stop returning
For second helpings

©2012 Dosia McKay

Many people in creative fields struggle from time to time with the inability to tap into the flow of creativity. Call it the writer’s block, lack of inspiration, the departure of the muse, or a dry spell – we all have been there. There is no need to panic or to sit around waiting for an external prompting validating your artistic pathway. It can be as easy as shifting your mental gears by creating an environment in which your creative self can show up for duty.


Below I list 25 simple exercises to trigger the flow of your creativity. Whether you are a painter, a writer, an actor, a choreographer, a filmmaker, or a musician, you will benefit from performing them on regular basis. You can also modify them to fit your art discipline, or to purposefully stray away from it. Nothing is set in stone. What matters is that you begin, and that you pursue your creative instincts and enter “the zone”.


It is beyond the scope of this article, but I hope it is obvious that any serious artist understands the importance of adequate sleep, nutrition, moderation in the TV and internet intake, as well as avoidance of people who belittle your creative endeavors.


With that said, let us begin:

    1. During breakfast, sit at a different spot you usually do, observing the newly found perspective.


    2. Notice certain words or phrases you use often and make a conscious effort to refrain from using them when you speak or write. Instead, find new, fresh ways of expressing yourself.


    3. Choose an art form you don’t know anything about. Within it, choose a specific technical aspect. Google it out and learn from it something you can apply to your own art discipline.


    4. On iTunes or Amazon perform a search for a random combination of letters. Accept the artist suggestion from the search engine and listen to the artist’s music, no matter what the genre.


    5. On a piece of paper prepare a simple sketch or a doodle, dividing the page in half. Let one half express the concept of “Always”, and the other of “Never”.


    6. Listen to people’s conversations on the sidewalk. Pick three different words from three separate conversations (one each). Write a poem containing all three words.


    7. Go to the part of town you have never been to. Follow someone for a few blocks. Let him or her “show you around”.


    8. Don’t eat when it’s time to eat. Wait until you are very hungry. Eat your food with pleasure, gratitude, and a full awareness of all flavors and textures.


    9. Talk to someone you normally wouldn’t talk to and ask them open-ended questions. Listen intently to what they say, imagining what it would be like to be that person.


    10. Carefully study an album of art reproductions – up side down, discovering interesting patterns and color combinations.


    11. Buy a simple plastic travel soap dish/box. Never use it for soap, but instead invent a new purpose for it.


    12. Imagine you were hired to design an airport. Prepare a list of unique features your design will be famous for.


    13. Use different dishes. There is no need to buy new tableware, simply use a glass instead of a cup, or an ornamented spoon instead of a plain one.


    14. Listen to the noises of electrical appliances, trains, wind, or animals. Try to notate their rhythmical patterns. If you don’t know musical notation, invent your own.


    15. Choose a stranger from your environment. Imagine what it would feel like to deeply care about that person. Then imagine what it would feel like to despise him/her. Switch back to the caring mode and analyze what triggered the extreme emotions.


    16. Make a birthday or “just because” card for yourself – completely from scratch. Don’t take shortcuts with doodles or notebook paper. We are talking about a card folded in half with pictures and words.


    17. When someone casually asks for your opinion, respond by giving them exactly the opposite of what you feel and be earnest and convincing.


    18. Choose two small random cities on two different continents. Research the best means of travel between them and find out how much it would cost.


    19. Attend a religious service of a denomination / religion / faith different from yours. Relish in the feeling of strangeness and mystery.


    20. Smell the wind from the river, the fruit on the fruit stand, and the flowers in the flower shop. Touch the bark of the trees, the blades of swooshing tall grass, and a patch of moss on the sidewalk.


    21. When you travel alone and a stranger asks about the purpose of your trip or your occupation, make up a story on the spot. Go into details.


    22. With your iPod set to orchestral music, conduct an imaginary orchestra with a made-up baton or improvise a dance.


    23. Hand write a letter to your younger or your older self.


    24. Check into a silent monastery. Well, not really. Simply tell your family and friends that you are working on a project and cannot be disturbed. Continue with your usual activities, but give up all communication via phone, internet, or in person. Fast from TV, radio, iPod, etc.


    25. Unexpectedly change your mind in the middle of a routine. Get off the train, walk out of the movie theater, or order food you can’t pronounce.

Let me know about your experiments and creative ideas that resulted from these exercises. I am curious to know what worked for you.

©2012 Dosia McKay

As my holiday gift to you, please enjoy a free download of my composition “Lush” for soprano saxophone (Rob Jacoby), piano (Rich Shemaria), and jazz orchestra (NYU).

I was recently invited by the W4 New Music Collective to participate in their program of new music at Exapno in Brooklyn, NY. I composed a new string trio for the concert and had a lot of fun collaborating with Patti Kilroy (violin), Nick Revel (viola), and Rose Bellini (cello) in preparation for the premiere.

“Grit and Glitz” is a high energy show-off piece. Venturing out into the territory of catchy pop and rock melodic gestures, it creates a safe and accessible sonic environment, yet consistently stretches its boundaries until it breaks into a cadenza/ improvisatory section exploring jazz harmonies. “Grit and Glitz” feels familiar, yet surprises with fresh textures and unexpected turns.

The title “Grit and Gliz” marks my first Brooklyn premiere and expresses my love-hate relationship with the New York borough depicting my fascination with the glitzy and chic neighborhoods and my dismay after being lost at night in a gritty part of town.

The enclosed track features a live recording from September 25, 2011.

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Photo by Barry Yanovitz.

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